Tim Laun

The artist loading footballs in Hangtime, 2005 at Socrates Sculpture Park

Over the past few years, Tim Laun has been making works specifically related to the Greenbay Packers and the career of their star quarterback Brett Favre. He uses his lifetime love of the team as a kind of armature to highlight what is a rarely explored, but reasonable connection between sport and art: temporal experience.

In Hangtime from 2005, he installed an automatic football-throwing machine at Socrates Sculpture Park. Set to simulate the long and high arc of a kick-off, the ball would be received in a designated area designed by Laun (one where dry grass was converted to a rectangular patch of a football field and another where he dug a shallow, square trench around the spot). People lined up to catch the balls in the transformed spaces while Laun loaded the machine and photographed the receivers at the moment they catch the ball.

Diagram of Hangtime, 2005

His long-standing project, called the FavreEra Cyclorama is designed as a monument to Favre’s unprecedented career. Laun proposes to present the entirety of Favre's career by replaying each game, complete with commercials, in a panorama of televisions.

Many of Laun’s other works have acted, at least tangentially, as theoretical supports for the cyclorama. Hangtime is unique in that it does not directly reference the Packers and it was a performed action, outside of the gallery setting. Here, a simple, universal gesture was stressed and the demonstration itself fostered a more practical understanding about how such personal reverence for football can emerge.

photo of a receiver from Hangtime, 2005

On the occasion of his show, "Tim Laun: Sunday, September 20th, 1992" at the Madison Museum of Contemporary Art, he discussed with curator Jane Simon, his work in relation to time and art history.

"I think a piece like Spiral Jetty by Robert Smithson is a useful example, in that the completion of that artwork was outside the artist’s control. After Smithson created Spiral Jetty it immediately began to erode and has mostly been preserved through documentation and cultural memory. The temporal nature of sporting events can be fleeting and seem meaningless, and also fade away. So, what I wanted to do is give form to something that was otherwise inherently ephemeral—the streak or arc of an athletic achievement."

His current show at Parker’s Box includes a major work called, “Don Majkowski (Sunday, September 20th, 1992), 2007 .” It is a large scale dot matrix rendering of the quarterback in his last game, injured and lying alone on the field. Favre subsequently filled in and had been their quarterback in every game since. This is the LAST weekend to check out the Parker's Box show- it closes March 3.